Amanda Shaw talks ‘Amity in Flux,’ Her Graduate Capstone Collection with Alicia Unwin

Tessa Squissato 2026-06-22 Tessa Squissato 2026-06-22

Amanda Shaw talks ‘Amity in Flux,’ Her Graduate Capstone Collection with Alicia Unwin

by Alicia Unwin

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A Prayer for Peanuts & Professors

Tessa Squissato 2026-04-29 Tessa Squissato 2026-04-29

A Prayer for Peanuts & Professors

by Tessa Squissato

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The Tin Foil Hats Are Out There: An Analysis of The X-Files’ Rise to Popularity

Tessa Squissato 2026-03-03 Tessa Squissato 2026-03-03

The Tin Foil Hats Are Out There: An Analysis of The X-Files’ Rise to Popularity

by Tessa Squissato

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My expedition to the core of the Big Apple

Tessa Squissato 2026-01-08 Tessa Squissato 2026-01-08

My expedition to the core of the Big Apple

by Christina Marcon

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Obsessed with Obsession: a Horror-Comedy for the Ages (TIFF 2025)

Tessa Squissato 2026-01-05 Tessa Squissato 2026-01-05

Obsessed with Obsession: a Horror-Comedy for the Ages (TIFF 2025)

by Norah Spence

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Sweet Charity and Joan

Tessa Squissato 2025-12-23 Tessa Squissato 2025-12-23

Sweet Charity and Joan

by Alicia Unwin

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The Slow Subversion of the Heist Film in Kelly Reichardt’s The Mastermind

Tessa Squissato 2025-12-12 Tessa Squissato 2025-12-12

The Slow Subversion of the Heist Film in Kelly Reichardt’s The Mastermind

by Clarisse Bell

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We Love Him: A (completely unbiased) Review of John Candy: I Like Me (TIFF 2025)

Tessa Squissato 2025-10-10 Tessa Squissato 2025-10-10

We Love Him: A (completely unbiased) Review of John Candy: I Like Me (TIFF 2025)

by Tessa Squissato

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Yasmine Al Massri on Palestine 36 (TIFF 2025)

Julia Smeaton 2025-10-08 Julia Smeaton 2025-10-08

Yasmine Al Massri on Palestine 36 (TIFF 2025)

by Julia Smeaton

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Freaky Little Friends: My Thoughts on Mile End Kicks & Poetic License (TIFF 2025)

Tessa Squissato 2025-09-29 Tessa Squissato 2025-09-29

Freaky Little Friends: My Thoughts on Mile End Kicks & Poetic License (TIFF 2025)

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Accessibility in Canada's Screen Industry: What TIFF 50 taught me

Julia Smeaton 2025-09-22 Julia Smeaton 2025-09-22

Accessibility in Canada's Screen Industry: What TIFF 50 taught me

By Julia Smeaton

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No Boots, No Straps: A Review of If I Had Legs I’d Kick You (TIFF 2025)

Tessa Squissato 2025-09-16 Tessa Squissato 2025-09-16

No Boots, No Straps: A Review of If I Had Legs I’d Kick You (TIFF 2025)

By Tessa Squissato

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The First Date

Tessa Squissato 2025-07-01 Tessa Squissato 2025-07-01

The First Date

By Norah Spence

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Dogs and Dolls

Tessa Squissato 2025-04-25 Tessa Squissato 2025-04-25

Dogs and Dolls

By Tessa Squissato

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Derek Jarman’s Blue: Requiem & Refutation

Tessa Squissato 2024-12-08 Tessa Squissato 2024-12-08

Derek Jarman’s Blue: Requiem & Refutation

By Julia Smeaton

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TIFFening

Tessa Squissato 2024-12-06 Tessa Squissato 2024-12-06

TIFFening

By Tessa Squissato

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The Double Sashay of Dorothy Michaels and Elaine May: The On-Screen and Behind-The-Scenes Gender Politics of Tootsie

Tessa Squissato 2024-11-15 Tessa Squissato 2024-11-15

The Double Sashay of Dorothy Michaels and Elaine May: The On-Screen and Behind-The-Scenes Gender Politics of Tootsie

By Tessa Squissato

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The Dual Legacies of The Undead Roy Cohn

Tessa Squissato 2024-10-10 Tessa Squissato 2024-10-10

The Dual Legacies of The Undead Roy Cohn

By Julia Smeaton

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TIFF Next Wave 2023

Tessa Squissato 2023-04-16 Tessa Squissato 2023-04-16

TIFF Next Wave 2023

By Michael El-Hashwa

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Margot

Tessa Squissato 2023-04-14 Tessa Squissato 2023-04-14

Margot

by Christina Marcon

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