We Love Him: A (completely unbiased) Review of John Candy: I Like Me

Tessa Squissato 2025-10-10 Tessa Squissato 2025-10-10

We Love Him: A (completely unbiased) Review of John Candy: I Like Me

by Tessa Squissato

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Yasmine Al Massri on Palestine 36

Julia Smeaton 2025-10-08 Julia Smeaton 2025-10-08

Yasmine Al Massri on Palestine 36

by Julia Smeaton

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Freaky Little Friends: My Thoughts on Mile End Kicks & Poetic License

Tessa Squissato 2025-09-29 Tessa Squissato 2025-09-29

Freaky Little Friends: My Thoughts on Mile End Kicks & Poetic License

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Accessibility in Canada's Screen Industry: What TIFF 50 taught me

Julia Smeaton 2025-09-22 Julia Smeaton 2025-09-22

Accessibility in Canada's Screen Industry: What TIFF 50 taught me

By Julia Smeaton

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No Boots, No Straps: A Review of If I Had Legs I’d Kick You (TIFF 2025)

Tessa Squissato 2025-09-16 Tessa Squissato 2025-09-16

No Boots, No Straps: A Review of If I Had Legs I’d Kick You (TIFF 2025)

By Tessa Squissato

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The First Date

Tessa Squissato 2025-07-01 Tessa Squissato 2025-07-01

The First Date

By Norah Spence

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Dogs and Dolls

Tessa Squissato 2025-04-25 Tessa Squissato 2025-04-25

Dogs and Dolls

By Tessa Squissato

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Derek Jarman’s Blue: Requiem & Refutation

Tessa Squissato 2024-12-08 Tessa Squissato 2024-12-08

Derek Jarman’s Blue: Requiem & Refutation

By Julia Smeaton

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TIFFening

Tessa Squissato 2024-12-06 Tessa Squissato 2024-12-06

TIFFening

By Tessa Squissato

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The Double Sashay of Dorothy Michaels and Elaine May: The On-Screen and Behind-The-Scenes Gender Politics of Tootsie

Tessa Squissato 2024-11-15 Tessa Squissato 2024-11-15

The Double Sashay of Dorothy Michaels and Elaine May: The On-Screen and Behind-The-Scenes Gender Politics of Tootsie

By Tessa Squissato

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The Dual Legacies of The Undead Roy Cohn

Tessa Squissato 2024-10-10 Tessa Squissato 2024-10-10

The Dual Legacies of The Undead Roy Cohn

By Julia Smeaton

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TIFF Next Wave 2023

Tessa Squissato 2023-04-16 Tessa Squissato 2023-04-16

TIFF Next Wave 2023

By Michael El-Hashwa

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